INFRARED
PHOTOGRAPHY WITH DIGITAL CAMERAS
Page
Eight
Simulating Infrared
In the course of
testing infrared filters and the amazing effects you can achieve, I
hoped to simulate or even further exaggerate the effects of the filters
through Photoshop.
In the following
series, you see a normal color photo of a lighthouse at the St. Michael's
Museum in Maryland. I then put a Red #25A "see-through" filter on the
lens to achieve the second picture. The third photo was turned into
black and white through the "Image-Mode-Black and White" controls in
Photoshop. You can also use the "Image-Adjust-Channel Mixer" to quickly
change the image to black and white.
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Picture of
St. Michaels Museum with boat
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Picture of
St. Michaels Museum with boat
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Picture of
St. Michaels Museum with boat
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Picture of
St. Michaels Museum with boat
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caption:
normal exposure

Caption:
25 Red Tiffen Filter

Caption:
No filter
Diffuse glow and extra contrast applied in Photoshop
As you can see,
the black and white image above is not different from a normal black
and white. I applied the "Diffuse Glow" filter to the whole image to
enhance the clouds and blur the whites. After that, I brought the image
into "Duotone" mode and applied an exaggerated "Sepia #4" tone to the
image. It has the diffuse whites common to infrared but lacks the deep
tones in the sky.

caption:
No filter: diffuse glow and sepia duotone
In conclusion, there
are a few specialized and relatively expensive software programs like
Tech-nik which allow you to simulate infrared imaging from any image
quickly. But using the infrared filters is a far more rewarding and
spontaneous experience. Finally, be aware that certain cameras are more
sensitive to infrared light others and experiment with your camera.
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4, 5, 6,
7, 8, 9