Photographer
documents "Jewel of the Mall"
By
Marisssa Newhall--reprint from "Georgetown Current" June 1,
2005
For
many, Memorial Day 2004 marked the dedication of one of history's biggest
and most symbolic bronze sculpture projects:
the World War II memorial.
For former Time-Life Books photographer Stephen Brown, it marked
the final phase of a long-term creative commitment.
This
Memorial Day weekend, Brown's home studio in Burleith has become a warehouse
of sorts. Alongside an array of Macintosh computers
and hanging lights, an entire wall is stacked ceiling high with boxes
of "Jewel of the Mall," his recently published book immortalizing
the construction of the World War II Memorial.
"From
a purely historical perspective…it really was changing the face of the
whole Mall," Brown said.
"This was a whole new monument that just ties it all together.
There should have been six photographers on this, really."
Originally
invited by longtime friend and chief sculptor Ray Kaskey to photograph
the casting of the monument's bronze eagles, Brown learned quickly that
almost no press attention had found its way to the important undertaking. Feeling that construction of monuments
on the mall had historically suffered from "photographic neglect,
" Brown decided to tackle the entire project and commemorate it
by publishing a book.
Actual
photographic work spanned 16 months, beginning in June 2003. Brown said he would show up unannounced
at the site and snap his photos, some days staying for 16 hours at a
time.
"It
was interesting to see the amount of personal involvement that went
into this. There were veterans who came down and
put lawn chairs on the side and watched the eagles being installed for
three weeks. There was
this enormous emotional, cross-generational sense," Brown said.
Although
the monument took nearly 15 years to propose, plan and design, it only
took two-and-a-half years to build.
As the project continued, Brown said he was amazed by the patriotism
and dedication of the construction workers, who clearly understood the
historical implications of their efforts.
"This
memorial was overdue for this generation, and people were really hustling
to get it done," he said. Several
of Brown's photos were taken from cranes, including the book's centerpiece—a
sweeping view of the monument with the brightly lit Lincoln Memorial
in the distance, taken at 6 A.M. on the last day the cranes were in
place on the site.
Through
the process, Brown, whose father served in World War II, came to feel
particularly connected to the monument.
A special moment came when he was invited to write his father's
name inside of the 32-foot high eagles before it was installed among
the monument's 38-ton granite slabs.
My
father passed away a couple of years ago, and he was a WWII veteran," Brown said. "A lot of vets were invited to write
their names on the inner structure of the eagles. There are probably
thousands of names in there.
Once
Brown finished taking photographs, there remained the challenge of making
his book a concrete reality. To
ensure it would be available for purchase by Memorial Day weekend 2005,
he realized he would have to bypass the red tape of the corporate publishing
bureaucracy and go it alone.
Investing
somewhere in the ballpark of six figures of his own money, Brown used
Photoshop to edit his pictures and laid out "Jewel of the Mall" on his computers. He then checked page proofs and oversaw
the book's printing. "It
was a scary investment," Brown said, " There were a lot of
moments I was thinking to myself I was crazy (But)…when those presses
started to run…it was very exciting"
Rather
than outsourcing to China to cut costs, Brown said the book was printed
in Buffalo, N.Y. to keep the book American and to make reordering and
warehousing easier. Of 10,000 initial copies, Brown said 3000
have already sold. So far, the book is available on Amazon.com and at
various bookstores on the Mall, including all Smithsonian museum gift
shops.
Brown's
book documents the entire creative process.
It includes several pages of exclusive photos of artisans and
construction workers piecing together the granite structure and its
artwork. With
veterans in mind, Brown opted for a paperback format to put out a book
that anyone who comes to the Mall can afford.
"I
learned a lot about printing a book.
Everyone said (a hardcover edition) would be absolutely grand,
but grand is when everybody can buy a copy and bring it home," Brown said. For
Brown, the World War II Memorial's "quite testimony, without throwing
(anything) in your face," makes it a remarkable and unique structure
compared to the mall's other memorials and monuments.
"People
have a tie to this former generation," he said.
"WWII was this defining event, and we had all these people
who became global citizens from being farm boys.
Of all the projects I've done, this definitely has a strong emotional
reaction." Despite
the months of work, Brown said documenting the project was essential—and
enormously satisfying. "This
is the Mall. …This isn't
a back alley, this is history."
More
information on "Jewel of the Mall" can be found at "www.jewelofthemall.com."
